Editors: Manuel Fontán del Junco and Beate Reifenscheid
with texts by: María Bolaños, Manuel Fontán del Junco, Ramón González Férriz, María Dolores Jiménez-Blanco, Santos Juliá, Sergi Plans, Celina Quintas, Beate Reifenscheid, Inés Vallejo.
Translations: Daniela Heize, Tobias Locker
Printing and binding: Estudios Gráficos Europeos S.A., Madrid; Aryale S.L., Madrid
Editor: Prof. Dr. Beate Reifenscheid · Koblenz
2023 Chorus-Verlag für Kunst und Wissenschaft
Ministry of Culture & Youth · UAE
Mohammed Kazem · Dubai
Prof. Dr. Beate Reifenscheid · Koblenz
Hassan Sharif · Dubai
Cristiana de Marchi · Dubai
Translation Konstantin Treuber
Printing Optimal Media GmbH · Röbel/Müritz
Editors: Lotte Dinse, Agnes D. Schofield
Authors: Fabian Arlt and Hans-Jürgen Arlt, Lotte Dinse, Haris Giannouras, Constanza Mendoza, Prof. Dr. Beate Reifenscheid, Roger Rohrbach, Agnes D. Schofield
Printed & published by Kettler GmbH, Bönen
Salon Publishing House Cologne
3 x 4 m, Special Price 99 €
Boris Lurie and / und Wolf Vostell
Art after the Shoah / Kunst nach der Shoah
2022. 336 pages, 300 illustrations
Paperback with Flaps
24.00 x 28.00 cm
Fragilité (fragility) is the central theme in Anne and Patrick Poirier’s work, which shines through their entire œuvre. Their works investigate various aspects concerning culture, collective and individual memory, the world of objects, and nature.
In this catalogue, current positions as well as central concepts of past exhibitions are summarised and vividly elucidated through well-founded texts. Anne and Patrick Poirier question memory by using buried and overlaid relics, linking the idea of an ancient city with the neural networks of the human brain and thus drawing lines of connection to today’s, often dystopian, human actions. Their often installative works raise questions and provide food for thought without providing answers. They do not cite antiquity out of nostalgia, but understand it as a timeless phenomenon that can be viewed, interpreted and expanded again and again anew. Starting out from remembering and forgetting, they developed the notion of the fragility of our existence as a continuous questioning of the state of the world.
Edited by Beate Reifenscheid
With contributions by Tony Cragg, Laure Martin-Poulet and Beate Reifenscheid, with excerpts from the artists’ diaries and an interview of the artists by Danielle C. March.
Wienand-Verlag Köln (2022)
Publisher: Beate Reifenscheid
with texts by Beate Reifenscheid and Dieter Honisch
Hardcover, 85 pages with illustrations in colour and black and white, 22.5 x 28.5 cm
Kerber Publishing House Bielefeld
The coincidental, the flowing, the brief pausing of the moment are characteristics of her expression: Shaped by Buddhist philosophy, the Korean Yoon-Hee, who has lived in France since the 1980s, also absorbs Western influences and conceptually combines the apparently opposite in her unique sculptures. In more than three decades, she created an oeuvre that was initially associated with Minimal Art. Since then, however, her focus has been on capturing time, culminating in a single moment. For the first time, the catalog includes essential developments in her sculptural work, her in-situ works and large-format drawings.
Edited by Beate Reifenscheid
With contributions from Sim Eunlog, Jinsang Yoo, Airyung Kim. Additionally with interview excerpts.
Ludwig Museum Revue 1992/2012 – 20 Years Ludwig Museum Koblenz
The revue “20 Years Ludwig Museum” is published on the occasion of the 20th anniversary of the Ludwig Museum in the Deutschherrenhaus, Koblenz, September 2012. It provides insights into a variety of exhibitions as well as events and happenings, without being able to be complete. The texts are largely taken from the museum’s own press releases.
Beate Reifenscheid (ed.)
Druckerei Heinrich GmbH, Koblenz