Past exhibition

Art auction at the Fête des Arts – friends meet friends.

07.07.2024 – 07.07.2024

To mark the 30th anniversary of the Verein der Freunde und Förderer des Mittelrhein-Museums und Ludwig Museums zu Koblenz e.V., an art auction will be held at the Ludwig Museum on 7 July 2024 at 3 pm. As part of this event, you will have the opportunity to purchase wonderful works by artists who are closely associated with the two museums. The proceeds will later be donated to both museums.

The auction is part of the summer festival “Fête des Arts – Friends meet friends”. In addition to the auction, various events will take place in and around the museum on this day. These include a performance by the Koblenz Youth Theatre, musical performances by the flute trio and the Trash Drummers from the Koblenz Music School and the duo Katharina Wimmer and Andreas Theobald. With guided tours by the scientific team and workshops for young and old by the Kunstkontakt team, visitors can immerse themselves in the exhibition “reflections.Positionen aus der National-Bank Sammlung”. All times can be found here.

All works can be seen on the 3rd floor of the Ludwig Museum.

Binding pre-bids can also be submitted by e-mail. All buyer information can be found here.

The auction will be conducted by Carl-Günther Benninghoven, notary.

 

 

Georg Ahrens *1947, Koblenz -† 2021 Nach einer Ausbildung zum Steinmetz studierte Georg Ahrens Bildhauerei an der Kölner Werkschule. Kennzeichnendes Thema seiner Arbeiten ist das Thema „Engel“, welches er in monumentalen, aber auch kleinen Skulpturen immer wieder variierte. Neben seiner Bildhauerischen Arbeit fertigte Ahrens, beeinflusst von Lehraufenthalten in China Tuschearbeiten und Holzschnitte an. Georg Ahrens arbeitete in Köln und Weibern, Eifel. "Engel", Basaltlava, 2013, 45 cm Wert: 1.500 € Aufpreis: 1.200 € © Georg Ahrens, 2024
Georg Ahrens
*1947, Koblenz -† 2021
After training as a stonemason, Georg Ahrens studied sculpture at the Cologne Werkschule. His work is characterised by the theme of “angels”, which he repeatedly varied in both monumental and small sculptures. In addition to his sculptural work, Ahrens also produced ink works and woodcuts, influenced by teaching visits to China. Georg Ahrens worked in Cologne and Weibern, Eifel.
“Engel”,
Basaltlava, 2013,
45 cm
Aufpreis: 1.000 €
© Georg Ahrens, 2024
Martine Andernach, Ikaros d‘ apres les afiche, Serie, 7/10 26 x 37 cm, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Martine Andernach * 1948 in Rang-du-Fliers, France, is a French-German stone and metal sculptor. The central theme of her artistic work is the figure, which Martine Andernach understands geometrically. For her works, which are mostly made of steel, Corten steel or bronze, she mainly uses cubic forms that represent sitting, standing or lying body shapes. She lives and works in Mülheim-Kärlich and Paris.Ikaros d‘ apres les afiche, Mischtechnik, Serie 7/10 je 26 x 37 cm, signiert Aufpreis: 100 € © VG Bild-Kunst Bonn, 2024

 

Martine Andernach, Ikaros d‘ apres les afiche, Serie, 5/10, 26 x 37 cm, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Martine Andernach * 1948 in Rang-du-Fliers, France, is a French-German stone and metal sculptor. The central theme of her artistic work is the figure, which Martine Andernach understands geometrically. For her works, which are mostly made of steel, Corten steel or bronze, she mainly uses cubic forms that represent sitting, standing or lying body shapes. She lives and works in Mülheim-Kärlich and Paris.
Ikaros d‘ apres les afiche, Mischtechnik, Serie
5/10
je 26 x 37 cm, signiert
Aufpreis: 100 €
© VG Bild-Kunst Bonn, 2024
Martine Andernach, Ikaros d‘ apres les afiche, Serie, 3/10, 26 x 37 cm, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Martine Andernach * 1948 in Rang-du-Fliers, France, is a French-German stone and metal sculptor. The central theme of her artistic work is the figure, which Martine Andernach understands geometrically. For her works, which are mostly made of steel, Corten steel or bronze, she mainly uses cubic forms that represent sitting, standing or lying body shapes. She lives and works in Mülheim-Kärlich and Paris.
Ikaros d‘ apres les afiche, Mischtechnik, Serie
3/10
je 26 x 37 cm, signiert
Aufpreis: 100 €
© VG Bild-Kunst Bonn, 2024

 

Andreas Bruchhäuser, Fensterblick, 2015, Pastellkreide auf grauem Papier, 40 x 50 cm, gerahmt, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Andreas Bruchhäuser *1962, Bad Aussee (Austria) is a German painter whose main focus is on portrait, figure and landscape painting. After training at the Städelschule, he moved to the Düsseldorf Art Academy, where he came into contact with Art Informel through Rissa and K.O Götz. In terms of technique and subject matter, his works consciously draw on the traditions of the old masters, in particular Paul Gauguin and William Turner, which Andreas Bruchhäuser deliberately translates into the modern age and varies in terms of technique. Among other things, his works are dedicated to the Rhine Valley. Fensterblick, 2015 Pastellkreide auf grauem Papier 40 x 50 cm, gerahmt. Aufpreis: 600 € © VG Bild-Kunst Bonn, 2024
Eva Maria Enders Arrondi 10, 2023, Mischtechnik auf Holz, Durchmesser 50cm, gerahmt, © VG Bild-Kunst Bonn, 2024
Eva Maria Enders
*1963, Koblenz, studied at the University of Applied Sciences Niederrhein from 1985 to 1992 and graduated as a qualified textile and clothing engineer and textile designer. The artist lives and works in Koblenz.
Arrondi 10, 2023
Mischtechnik auf Holz, Unikat
Durchmesser 50cm, gerahmt
Aufpreis: 1.800 €
© VG Bild-Kunst Bonn, 2024
Anke Erlenhoff, Industrielandschaft, 2018, Fotografie mit Übermalung und mineralischem Pigment, 39 x 50 cm, gerahmt, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Anke Erlenhoff
* 1959, Gelsenkirchen-Buer – † 2022, Cologne was a German painter.
A central theme of her works is global change. She explored metropolises, industrial landscapes and harbours and used photography as a basis to unite document and painting through painterly reworking.
Industrielandschaft, 2018
Fotografie mit Übermalung und mineralischem Pigment
39 x 50 cm, gerahmt
Aufpreis: 1.100
© VG Bild-Kunst Bonn, 2024

 

Anke Erlenhoff, Industrielandschaft Ruhrgebiet, 2018, Fotografie mit Übermalung, 38 x 54 cm, gerahmt, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Anke Erlenhoff * 1959, Gelsenkirchen-Buer – † 2022, Cologne was a German painter.
A central theme of her works is global change. She explored metropolises, industrial landscapes and harbours and used photography as a basis to unite document and painting through painterly reworking. Industrielandschaft Ruhrgebiet, 2018 Fotografie mit Übermalung 38 x 54 cm, gerahmt.  Aufpreis: 1.100 € © VG Bild-Kunst Bonn, 2024
Anke Erlenhoff, Sinai, 2008, Fotografie mit Übermalung, 39 x 50 cm, gerahmt, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Anke Erlenhoff* 1959, Gelsenkirchen-Buer – † 2022, Cologne was a German painter.
A central theme of her works is global change. She explored metropolises, industrial landscapes and harbours and used photography as a basis to unite document and painting through painterly reworking. Sinai, 2008 Fotografie mit Übermalung 39 x 50, gerahmt. Aufpreis: 1.100 € © VG Bild-Kunst Bonn, 2024
Peter Goehlen, Im Inneren der Landschaft, 1999 Bronze, Liegendes Relief, 10 x 13 cm, 8,5 x 13 cm, 9,5 x 13 cm, Kunstgießerei Rieke in Worpswede in Bronze gegossen, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Peter Goehlen
*1954, Koblenz
Works as a sculptor and plastic artist.
Sculpture is central to his work, which he realises with wood, stone and metal, complemented by spatially spanning thread sculptures. The three bronzes, on the other hand, thematise an abstract landscape and the human figure, reduced to essential lines.
Im Inneren der Landschaft, 1999
Bronze,
Liegendes Relief
10 x 13 cm
8,5 x 13 cm
9,5 x 13 cm
Kunstgießerei Rieke in Worpswede in Bronze gegossen
Aufpreis: 300 €
© VG Bild-Kunst Bonn, 2024

 

Karl Otto Götz *1914, Aachen - † 2017, Wolfenacker, Bekannt unter dem Künstlernamen K. O. Götz, war ein deutscher Maler und Lyriker. Er war ein Hauptvertreter der abstrakten Kunst und des Informel in Deutschland. Anfang der 1950er Jahre fand er zu der für ihn typischen Malweise, in dem er eine Rakeltechnik entwickelt, bei der in schnellen Arbeitsgängen mit dem Pinsel dunkle Farbe auf hellen Malgrund gesetzt werden und mit einer Rakel wieder abgetragen, wodurch eine Wogenstruktur entsteht. Ohne Titel. 1985/88. Lithografie auf Velin. 25 x 19cm (34,5 x 25cm). Signiert, datiert und nummeriert. Ex. 7/30. Das Blatt ist mit dem Trockenstempel des Druckers Manfred Hügelow, Offenbach versehen. Wert: ca. 500 € Verkaufspreis: 250 € Karl Otto Götz, Ohne Titel. 1985/88. Lithografie auf Velin. 25 x 19cm (34,5 x 25cm). Signiert, datiert und nummeriert. Ex. 7/30. Das Blatt ist mit dem Trockenstempel des Druckers Manfred Hügelow, Offenbach versehen. © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Karl Otto Götz *1914, Aachen – † 2017, Wolfenacker, After 1945, he was one of the main representatives of abstract art and the Informel movement in Germany, which he was instrumental in developing. In the early 1950s, he developed his typical painting style, in which dark colour was applied to a light background in quick strokes with a brush, later also with a broom, and then removed again with a squeegee. This created dynamic flowing and undulating movements. Ohne Titel. 1985/88. Lithografie auf Velin. 25 x 19cm (34,5 x 25cm). Signiert, datiert und nummeriert. Ex. 7/30. Das Blatt ist mit dem Trockenstempel des Druckers Manfred Hügelow, Offenbach versehen. Aufpreis: 300 € © VG Bild-Kunst Bonn, 2024
Karl Otto Götz, Ohne Titel. 1985/88. Lithografie auf Velin. 25 x 19cm (34,5 x 25cm). Signiert und datiert. EPR.DART.-1985/88 – (AVFL.30), © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Karl Otto Götz
*1914, Aachen – † 2017, Wolfenacker, After 1945, he was one of the main representatives of abstract art and the Informel movement in Germany, which he was instrumental in developing. In the early 1950s, he developed his typical painting style, in which dark colour was applied to a light background in quick strokes with a brush, later also with a broom, and then removed again with a squeegee. This created dynamic flowing and undulating movements.
Lithographie auf Velin
Ohne Titel. 1985/88. Lithografie auf Velin. 25 x 19cm (34,5 x 25cm). Signiert und datiert. EPR.DART.-1985/88 – (AVFL.30)
Das Blatt ist mit dem Trockenstempel des Druckers Manfred Hügelow, Offenbach versehen.
Aufpreis: 300 €
© VG Bild-Kunst Bonn, 2024

 

Christel Hermann, Kaum Wahrnehmbar, 2018, Harz, Pigmente, Eisen, 20x20 cm, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Christel Hermann
*1952, Neuwied
Lives as an artist in Heimbach. Since 1989 she has been working in cycles of works that deal with life and the human condition. These works are accompanied by diaries and installations. Her works are primarily translucent pictures and objects in which landscapes, faces or birds are barely recognisable. Her works appear timeless and spaceless, like dreamlike formations or fading memories.
Kaum Wahrnehmbar, 2018
Harz, Pigmente, Eisenrahmen
20×20 cm
Aufpreis: 300 €
© Ludwig Museum Koblenz, 2024
Rissa, Romantik is over, 2021, Siebdruck, 65 x 65 cm © Rissa, 2021
Rissa
*1938, Rabenstein/Fläming
Studied painting at the Düsseldorf Art Academy from 1959 to 1965 under K.O. Götz, whom she married in 1965. As early as the mid-1960s, she found her own style of figurative painting. She was a lecturer from 1969 to 1975 and was appointed professor at the Düsseldorf Art Academy in 1975, where she became vice-rector in 2000. She has been a member of the Art Academy Advisory Board of the state of North Rhine-Westphalia since 2009.
Romantik is over, 2021
Siebdruck
65 x 65 cm
Aufpreis: 600 €
© VG Bild-Kunst Bonn, 2024
Ute Krautkremer*1958, Koblenz/Ehrenbreitstein. Nach einem Studium der bildenden Künste und Kunstgeschichte in Mainz mit dem Schwerpunkt Plastik und Keramik widmet sich Ute Krautkremer der Skulptur, Malerei und Objektkunst. Ihre Arbeiten beschäftigen sich unmittelbar mit Spuren der Veränderung und Auflösung durch Zeit sowie dem Eingriff des Menschen in die Natur. Nachtblüten IV, 2021 Papierabformung auf Holz, Acryl 40 x 40 x 5 cm Wert: 600 € Aufpreis: 300 € © Ute Krautkremer, 2024
Ute Krautkremer
*1958, Koblenz/Ehrenbreitstein. After studying fine arts and art history in Mainz, specialising in sculpture and ceramics, Ute Krautkremer devoted herself to sculpture, painting and object art. Her works deal directly with traces of change and dissolution through time as well as man’s intervention in nature.
Nachtblüten IV, 2021
Papierabformung auf Holz, Acryl
40 x 40 x 5 cm
Aufpreis: 300 €
© Ute Krautkremer, 2024

 

Titus Lerner, Ohne Titel, 2018, Acryl auf Leinwand, 50 x 60 cm, © Ludwig Museum Koblenz, 2024/ Foto: SMW, 2024
Titus Lerner
* 1954 in Hachenburg, Westerwald, works as a painter and sculptor.
painter and sculptor. Lerner’s central theme is the human figure, which he characterises in its fragility and menace. Duality, Janus faces, melandoche and transience characterise his portraits and figure paintings. In his paintings, he often focusses on the head and face. In sculpture, he works with materials such as bronze, terracotta and stone.
Ohne Titel, 2018 (Portrait)
Acryl auf Leinwand
50 x 60 cm
Aufpreis: 1.600 €
© Ludwig Museum Koblenz, 2024

 

Christiane Löhr, Ohne Titel, 2022 Bleistift auf Papier, 27 x 20 cm, © VG Bild-Kunst Bonn, 2024
Christiane Löhr
* 1965, Wiesbaden, lives and works in Cologne and Prato, Italy. Löhr is known for her sculptures and installations consisting of organic elements. Her compositions often deal with delicate natural materials, often seeds and small pieces of fruit. In her drawings, she often continues this delicacy with a few characteristic lines. She uses oil pencil, ink and graphite as drawing materials.
Ohne Titel, 2022
Bleistift auf Papier
27 x 20 cm
Künstlercode CL-Z-Gr-2024-7
Aufpreis: € 1.800
© VG Bild-Kunst Bonn, 2024
Sophia Pechau, O.T., 2024, Kohlezeichnung auf Papier, Papiergröße 21x30 cm, © Sophie Pechau
Sophia Pechau
*1968, Cologne.
Is a German painter. Her works are particularly concerned with the rural environment, depictions of animals and still lifes. She works mainly with oil colours, linocuts and drawings.
O.T., 2024
Kohlezeichnung auf Papier
Papiergröße 21×30 cm; Rahmen 30×40 cm
Wert: 280 € (inkl. Rahmen)
Aufpreis: 200 €
© Sophie Pechau, 2024
Isa Steinhäuser, Ent 2, 2018, Foto auf Alu-Dibond, 80x80cm, 1/5, © Ludwig Museum Koblenz, 2024/ Foto: SMW, 2024
Isa Steinhäuser
*1969, Madrid is an art photographer living in Koblenz. She completed her training in Geneva and Koblenz and initially worked as a commercial photographer before focussing on art photography.
Ent 2, 2018
Foto auf Alu-Dibond, 80x80cm, 1/5
Aufpreis: 500 €
© Ludwig Museum Koblenz, 2024

 

Aloys Rump, Himmlische Körper 267, 2023, Mamorstaub auf Büttenpapier, 50 x 50 cm, gerahmt, © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Aloys Rump
*1949, began his career as a representative of Art Informel and is also an object and installation artist. He studied at the Kunstakademie Düsseldorf and the Hochschule der Künste Berlin. Aloys Rump lives and works in Boppard. He is often described as a literary artist, as references to poetry are incorporated into his art.
The variety of materials is important in Rump’s work: wood, fabric, colour, the addition of slate powder or marble dust. These materials are layered and fixed. This creates a relief-like structure reminiscent of landscapes or planetary surfaces.
Himmlische Körper 267, 2023
Mamorstaub auf Büttenpapier
50 x 50 cm, gerahmt
Aufpreis: 1.800 €
© VG Bild-Kunst Bonn, 2024

 

Kyra Spieker, Verbundenheit IV, 2024, Porzellan, graublau glasiert, 10 x 20 x 20 cm © VG Bild-Kunst Bonn, 2024/ Foto: SMW, 2024
Kyra Spieker
*1957 Marburg/Lahn
Studied at the ceramics college in Hörgrenzhausen and later at the Johannes Gutenberg University in Mainz. The works are based on spatial architecture and are first designed on the drawing board and then fired in porcelain.
The starting form of Kyra Spieker’s work “Verbundenheit IV” is the square, which allows the individual cube modules to be put together as required and with an exact fit thanks to the wavy upper and lower edges.
Verbundenheit IV, 2024
Porzellan, graublau glasiert
10 x 20 x 20
Aufpreis: 700 €
© VG Bild-Kunst Bonn, 2024
Helke Stiebel, Etuden, ca. 2016/2017, Digitalfotografie auf Hahnemühle, 30 x 42 cm, © Ludwig Museum Koblenz, 2024/ Foto: SMW, 2024
Helke Stiebel
*1939, Saarlouis
The best-known female photographer in Rhineland-Palatinate first completed an apprenticeship as a banker, then studied languages in London and Munich. After working in London, she trained as a photographer in Koblenz in 1962. Her delicate, poetic photographs of nature are characterised by an apparent, momentary impressiveness.
The works “Etudes” were created in 2016 and 2017 and are still lifes in digital photography with dried flora and fauna on Hahnemühle paper.
Etuden, ca. 2016/2017
Digitalfotografie auf Hahnemühle
je 30 x 42 cm, mit Passepartout
Aufpreis: 150 €
© Ludwig Museum Koblenz, 2024/ Foto: SMW, 2024
Franziskus Wendels, Kleines Echo 5, 2015, 30 x 40 cm, Mischtechnik auf Leinwand, © VG Bild-Kunst Bonn, 2024
Franziskus Wendels
*1960, Daun, Eifel is a German artist.
Franziskus Wendels’ painting is characterised by his exploration of architecture, light and nocturnal scenes. His works are characterised by blurriness and ambiguity. In addition to painting, Franziskus Wendels also works with videos and light installations.
Kleines Echo 5, 2015
30 x 40 cm
Mischtechnik auf Leinwand
Aufpreis: 1.500 €
© VG Bild-Kunst Bonn, 2024
Franziskus Wendels, Seelenwanderung 2, 2022, 30 x 40 cm, Mischtechnik auf Leinwand, © VG Bild-Kunst Bonn, 2024
Franziskus Wendels
*1960, Daun, Eifel is a German artist.
Franziskus Wendels’ painting is characterised by his exploration of architecture, light and nocturnal scenes. His works are characterised by blurriness and ambiguity. In addition to painting, Franziskus Wendels also works with videos and light installations.
Seelenwanderung 2, 2022
30 x 40 cm
Mischtechnik auf Leinwand
Verkaufspreis: 1.500 €
© VG Bild-Kunst Bonn, 2024
Erwin Wortelkamp *1938 in Hamm/Sieg ist ein deutscher Bildhauer und Maler. Wortelkamp sucht seit 1990 die Auseinandersetzung mit der Umwelt, sei es im städtischen Umfeld oder im Landschaftsraum. Seine Skulpturen wirken in ihrer Umgebung dominant und verweisen bei allen gewollten Wechselbezügen auf sich und den Betrachter zurück. Sein großes Œvre, das die Skulptur in den Vordergrund rückt, wird maßgeblich durch Arbeiten auf Papier erweitert. Oliven, 1997 66,5 x 30, 5 cm Technik Wert: 2.500 € Verkaufspreis: 2.000 € © VG Bild-Kunst Bonn, 2024
Erwin Wortelkamp
*born in Hamm/Sieg in 1938, is a German sculptor and painter.
Since 1990, Wortelkamp has sought to engage with the environment, whether in the urban environment or in the landscape. His sculptures have a dominant effect in their surroundings and refer back to themselves and the viewer in all their deliberate interrelationships. His large oeuvre, which emphasises sculpture, is significantly expanded by works on paper.
Oliven, 1997
66,5 x 30, 5 cm
Technik
Verkaufspreis: 2.000 €
© VG Bild-Kunst Bonn, 2024
Erwin Wortelkamp *1938 in Hamm/Sieg ist ein deutscher Bildhauer und Maler. Wortelkamp sucht seit 1990 die Auseinandersetzung mit der Umwelt, sei es im städtischen Umfeld oder im Landschaftsraum. Seine Skulpturen wirken in ihrer Umgebung dominant und verweisen bei allen gewollten Wechselbezügen auf sich und den Betrachter zurück. Sein großes Œvre, das die Skulptur in den Vordergrund rückt, wird maßgeblich durch Arbeiten auf Papier erweitert. Oliven, 1997 65 x 50 cm Technik Wert: 3.000 € Verkaufspreis: 2.500 € © VG Bild-Kunst Bonn, 2024
Erwin Wortelkamp
*born in Hamm/Sieg in 1938, is a German sculptor and painter.
Since 1990, Wortelkamp has sought to engage with the environment, whether in the urban environment or in the landscape. His sculptures have a dominant effect in their surroundings and refer back to themselves and the viewer in all their deliberate interrelationships. His large oeuvre, which emphasises sculpture, is significantly expanded by works on paper.
Oliven, 1997
65 x 50 cm
Technik
Verkaufspreis: 2.500 €
© VG Bild-Kunst Bonn, 2024
Yang Qi Behauptung, 2024 20 x 30 cm Alkoholbasierter Marker auf Papier* born 1952 in Wuhu, China, is a Chinese painter. He came to Germany at the end of the 1980s on a DAAD scholarship, where he has lived, taught and worked ever since. His works often show references to the German art scene of Neo-Expressionism, but also to the Chinese understanding of painting. A core theme of his work is human existence in its fragility and existentiality. Aufpreis: 500 € © Ludwig Museum Koblenz, 2024/ Foto: SMW, 2024
Yang Qi
* born 1952 in Wuhu, China, is a Chinese painter. He came to Germany at the end of the 1980s on a DAAD scholarship, where he has lived, taught and worked ever since. His works often show references to the German art scene of Neo-Expressionism, but also to the Chinese understanding of painting. A core theme of his work is human existence in its fragility and existentiality. Behauptung, 2024
20 x 30 cm
Alkoholbasierter Marker auf Papier
Aufpreis: 500 €
© Ludwig Museum Koblenz, 2024/ Foto: SMW, 2024

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